FOR IMMEDIATE RELEASE
WATERLOO (ONTARIO) CANADA. February 10, 2010: The Canadian Clay & Glass Gallery calls for submissions to The Winifred Shantz Award for Ceramics and The RBC Award for Glass
With the ongoing generosity of Ms. Winifred Shantz and RBC Foundation, the Canadian Clay & Glass Gallery present these prestigious national awards for early career practicing ceramic and glass artists that have been working professionally for between 5 to 10 years. Intended to allow the artist to undertake a period of independent research, or other activities with the capacity to advance their artistic and professional practice at a key moment in the artist's career, winners of the RBC Award for Glass receive $7,000 and winners of the Winifred Shantz Award for Ceramics receive $10,000.
The selection panels are comprised of experienced contemporary glass and ceramic artists and curators. A jury of respected artists and professionals associated with the silica arts will choose a finalist list. This year's winners will be announced at a gala event on September 16, 2010.
All of the RBC Award for Glass winners to date have represented the remarkable practices that make up contemporary glass art. Previous winners of the RBC Award for Glass are Cali Bales (2009), and Julia Reimer (2008). The Winifred Shantz Award, being slightly more established, have included the following recipients: Jasna Sokolovic (2009), Kasia Piech (2008), Rory MacDonald (2007), Ying-Yueh Chuang (2006), Kate Hyde (2005), Joan Bruneau (2004), Marc Vincent Egan (2003), Laurent Craste (2002), Susan Collett (2001).
Our most recent Winifred Shantz Award recipient will travel to Mexico to participate in residency at La Ceiba Graphica, then meeting local potters and artists in Xalapa, finally travelling to villages in Oaxaca province (a region well known for ceramics and other traditional crafts). Our RBC Award recipient is exploring the hidden landscapes of Toronto. This research will culminate in a solo exhibition in 2010 at the Wall Space Gallery in Ottawa.
Each of these annual awards presents a monetary prize for innovative professional development to an emerging potter or clay sculptor and an emerging glass artist, allowing the recipients time for travel, to attend international residencies or to conduct research that will enrich experience and fortify career aspirations in the field of contemporary ceramics.
To apply to either of these awards, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet the definition of a professional artist. The RBC Award for Glass and the Winifred Shantz Award for Ceramics is accessible to Aboriginal artists and artists of diverse cultural and regional communities of Canada.
Deadline for Submissions - June 30, 2010 by 5pm
SEND TO: Robert Achtemichuk, Director
Winifred Shantz Award for Ceramics & RBC Award for Glass
Canadian Clay & Glass Gallery
25 Caroline Street North
Waterloo, ON N2L 2Y5
519.746.1882, ext. 231
For more information regarding application www.canadianclayandglass.ca
The Canadian Clay & Glass Gallery fosters interaction among artworks, artists, and community and is recognized nationally for its critically acclaimed exhibitions of local, national, and international artists. The CCGG offers lectures, classes, workshops, tours, and houses a specialized library, archive and research centre. Since 1993, it has been home to an extensive and ever-expanding collection of historical and contemporary Canadian ceramic, glass and enamel art, conserving and promoting a rich and active component of Canada's rich cultural heritage.
The gallery is located at 25 Caroline Street North in Waterloo, Ontario. It is open Tuesday to Friday, from 11 to 6, Saturdays from 10 to 5, and Sundays 1 to 5. Adult admission is $5, students and seniors pay $3, and admission is free for members.
For additional information on these or any other Gallery programs, call Heather Majaury, Marketing Manager at 519.746.1882, Ext. 234 or email promotions@canadianclayandglass.ca or visit www.canadianclayandglass.ca
FOR IMMEDIATE RELEASE
WATERLOO (ONTARIO) CANADA January 4, 2010: Introspective Expeditions - Journeys to the Self opens Sunday, January 17 from 2-5, with Artists'
Talks beginning at 1 pm at the Canadian Clay & Glass Gallery. The exhibitions will continue until March 21, 2010.
Winter welcomes three exhibitions by ceramic sculptors whose artistic explorations of change and transformation become as much about three distinct voyages of ongoing self-discovery. Artists Jane Adeney, Louise Pentz, and Sin-ying Ho contemplate these journeys by approaching various archetypal models from deeply personal perspectives. Yet, the questions that each artist addresses are universal and, accordingly, each one invites us into a dialogue about our own connections to these mysteries.
Hamilton artist Jane Adeney is known for her installations and ceramic sculptures that focus on controlled states of transformation and alchemical metamorphosis, an idea that she explores here through the medium of clay. Her fascination with the clay's various stages of being, (malleability, firing, and smoking) mirrors her own examination of the various stages of personal passage, renewal, and the cycle of transformation. In Transubstantiation: Fire & the Search for Meaning, Jane Adeney uses images of fire to explore the uniquely human search for transcendental meaning by focusing on the symbolic property of purification of fire.
Throughout the ages, there has been a tradition of representing women and motherhood as an iconographic image of “Women as Vessel.” Usually symbolizing the ideals of fertility, purity, and the nurturing caregiver, these representations were presented as an eternal ideal yet lacked any human experiential dimension. In contrast, Nova Scotia artist, Louise Pentz represents women as vessels of personal identity and experience. In Broken … But Still Standing, Pentz's smoke-fired ceramic sculptures to take us into a world of contradictions where mothering is a deeply personal journey full of on-going learning, teaching, and transformation.
In the 21st century, the forces of political, technological and economic globalisation have resulted in the merging of people from many nationalities and cultures. One World/Many Peoples by Sin-ying Ho illustrates the course of such an encounter between colliding cultures and eras. Ho draws our attention to cross-cultural experience by combining apparently divergent elements, such as hand painted and digital images, into single works of art. By juxtaposing fragments of various Eastern and Western forms and imagery, Ho comments on contemporary postcolonial theory, which critiques Imperial Europe through the examination of issues such as slavery, migration, race, gender, and place.
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The Canadian Clay & Glass Gallery fosters interaction among artworks, artists, and community and is recognized nationally for its critically acclaimed exhibitions of local, national, and international artists. The CCGG offers lectures, classes, workshops, tours, and houses a specialized library, archive and research centre. Since 1993, it has been home to an extensive and ever-expanding collection of historical and contemporary Canadian ceramic, glass and enamel art, conserving and promoting a rich and active component of Canada's rich cultural heritage.
The gallery is located at 25 Caroline Street North in Waterloo, Ontario. It is open Tuesday to Friday, from 11 to 6, Saturdays from 10 to 5, and Sundays 1 to 5. Adult admission is $5, students and seniors pay $3, and admission is free for members.
For additional information on these or any other Gallery programs, call Heather Majaury, Marketing Manager at 519.746.1882, Ext. 234 or email promotions@canadianclayandglass.ca or visit www.canadianclayandglass.ca
December 21, 2009
Holiday Greetings & Hours
We hope our readership has a wonderful holiday season and we look forward to seeing you at the Gallery during the holidays and into the new year.
During the holidays you can come to the Gallery and take advantage of some quiet leisure time between the hustle and bustle of the season. Our current exhibitions are whimsical yet poignant examinations of our social and ecological consciousness. We are open December 27, 28, 29, & 30th. You can visit our exhibitions and then drop by our Gift Shop to take advantage of mid-holiday buys.
Remember last minute shoppers, the Gift Shop has beautiful items at every price range. We are One-of-A-Kind All-the-Time - from reasonably priced fashion jewelry to ceramics and glass items that range from the functional to the completely ornate.
Twelfth Day of Christmas Weekend BEE KEEPER'S MASKED BALL January 9th
Bring your OUT OF THE COLD donations to THE TWELFTH DAY OF CHRISTMAS BEE KEEPER'S BALL: A fantastic evening of intrigue.
The Twelfth Day of Christmas is the traditional time for Masked Balls since the Romans. The spirit of this festival was transported to our continent through the New Orleans Mardi Gras. These celebrations, where we hide our identities, provided freedom from rigid social structures. The Canadian Clay & Glass Gallery's MASQUERADE EXHIBITION will become the setting for such revelry and mystery this Twelfth Night weekend.
Be merry and dance the night away with a twist of the "who done it" murder mystery Interact with charming re-enactors, and engage in dangerous "liaisons."
There is something for everyone at the BEE KEEPER'S BALL. Dress in costume or formal attire. Don't fret if you don't have a mask, you can buy one at the door!
There will be traditional ball dancing with a caller. Live music is by "RELATIVE HARMONY with a DJ as well. Cash Bar.
Tickets are $20, on sale at the Gift Shop.
INTROSPECTIVE EXPEDITIONS: Journeys to the Self opens January 17th
Winter welcomes exhibitions by three ceramic sculptors whose explorations about change and transformation are as much about three voyages of ongoing self-discovery. While these introspective exhibitions approach various archetypal models from deeply personal perspectives, the questions are universal and accordingly, each one invites us into a dialogue about our own connections to these mysteries.
Jane Adeney offers us TRANSUBSTANTIATION. Known for her installations and ceramic sculptures, Adeney’s works are about controlled states of transformation and of alchemical metamorphosis. Her fascination with the clay’s various stages of being, (malleability, firing, and smoking) mirrors her examination of various stages of personal passage, renewal, and the cycle of transformation. Her work is about human existence and the symbolic purification of fire while it reaches into the depth of our inner selves, touching internal worlds of desires, and possibly, fears.
In the 21st century, politics, technology, and economic globalization have resulted in the merging of people from many nationalities and cultures. Sin-ying Ho’s ONE WORLD/MANY PEOPLES describes the path of such an encounter between colliding cultures and eras. Fragments of various Eastern and Western forms and imagery are juxtaposed to comment on contemporary postcolonial theory, which critiques Imperial Europe by examining such issues as slavery, migration, race, gender, and place.
Throughout the ages, there has been a legacy of representing women and motherhood as an iconographic image of “Women as Vessel.” Usually symbolizing such 'ideals' as fertility, purity, and the nurturing caregiver, these representations were positioned as eternal yet lacked any human experiential dimension. In BROKEN … BUT STILL STANDING, the sculptures by Louise Pentz take us into a world of contradictions where mothering is a deeply personal journey full of on-going learning, teaching, and transformation. Here, women are the vessels of personal identity and experience and our mothers’ legacies of strength, endurance, and faith continue to inspire and guide.
Join us from 2-5pm January 17th opening INTROSPECTIVE EXPEDITIONS
ALTERNATIVES Magazine hosts a Panel Discussion January 12th at 7pm at CC&GG
Mark January 12, 2010 on your calendars. The Gallery is hosting WILL ECOLOGY DOMINATE THE 21ST CENTURY? A panel debate from 7:30 to 9:30pm
Join the University of Waterloo's Thomas Homer-Dixon, Trent University’s Stephen Bocking and Alternatives' sage Robert Gibson for an "ecollectual" discussion that is sure to herald in the New Year with a resounding green ring.
Will ecology displace physics as the dominant science of our century? Will it replace our reliance on physics? Or is ecology best situated as a modest science? Be part of the discussion along with this trio of environmental titans.
Complimentary refreshments afterward by La Cupcakery.
Tickets $10 call 519 888 4545 or email nicola@atlernativesjournal to reserve.
Good News!
As you may be aware The Canadian Clay & Glass Gallery has requested investment from the City of Waterloo. After a thorough review the City is providing the Gallery with a loan to cover costs to the end of this fiscal year. This will help us continue to bring you exciting exhibitions and educational programming through creating a new strategic plan for future success and sustainability.
The Canadian Clay & Glass Gallery is often referred to as a 'jewel' of public art institutions; in South Western Ontario, we definitely contribute to the creative cultural capital of the entire region.
It is the end of the year and we ask that you remember us in your charitable giving for 2009. It is your financial support that helps us maintain and develop the excellence in exhibition and education programming visitors have come to expect at CCGG.
Please continue to send us your good news stories! It is important for us to know how the Gallery has positively affected your life and why you think it is important. We are keeping all of your feedback to help us with our future planning. As a public institution we want to know what you think. Your opinions and ideas are valued and important.
For example this is what Canada's Technology Triangle has to say about CCGG:
"The Gallery is one of the gems we promote when speaking to international investors and influencers about the high quality of life that Waterloo Region has to offer."
Please continue to send your comments and letters to info@canadianclayandglass.ca.
October 21, 2009
FOR IMMEDIATE RELEASE
Waterloo, Ontario -The Ontario Arts Council increases their funding support to the Canadian Clay & Glass Gallery.
The Ontario Art Council (OAC) awarded the Canadian Clay & Glass Gallery a Public Art Galleries Annual Operating Grant of $63,000 for 2009/10. The OAC provided us with our first operations grant of $30,000 in 2007, and in 2008 their contribution doubled, with support steadily increasing. While the OAC achieved increases in their funding this past year, not every grant recipient received an increase specifically. Their rigorous assessment process is still the barometer for granting amounts.
This increased support reflects a stellar year of accomplishments including Virginia Eichhorn's winning the Jean Johnson/Melanie Egan Award for Curatorial Excellence from the Ontario Crafts Council, and the Ontario Association of Art Galleries Volunteer of the Year Award accorded to Wilhelm Nassau. Achieving a Cultural Properties Designation, this past year, means our permanent collection will become a trove of national treasures. It is currently home to an extensive collection of Canadian ceramic, glass, and enamel art, conserving a rich component of our Canadian cultural heritage. We are touring Annie E. Brown: In Memory, an exhibition developed through the Gallery, in Ontario and Quebec, and we are continuing to cultivate meaningful partnerships in our community, our most recent collaboration being with the Perimeter Institute's Quantum to Cosmos Festival.
The Canadian Clay & Glass Gallery is recognized and supported provincially and nationally through such programs as the Public Art Galleries Annual Operating Grant, which maintains our capacity to innovate. Our Gallery provides measurable artistic leadership that augments the entire region's positive profile internationally, nationally, and provincially. Though the financial support we receive we are better able to cultivate high standards of presentation and engagement contributing to a vibrant educational and cultural quality of life for the entire region. The Canadian Clay & Glass Gallery is recognized for its fostering of artistic interaction between artworks, artists, and community. It recognizes the needs and artistic merit of a changing and increasingly diverse arts sector. We are hopeful that the recognition we achieve at the provincial and national level will inspire even more positive support locally. Investing here and now means a positive and healthy community of arts & culture for the future. This is something that benefits everyone.
Gallery Hours: Tuesday to Saturday 10 - 5/ Sunday 1 - 5/ Thursday 5-8 (free) Closed Mondays
Visit our website at www.canadianclayandglass.ca
For Media Inquiries contact Heather Majaury, Marketing Manager promotions@canadianclayandglass.ca 519 746 1882 ext 234
FOR IMMEDIATE RELEASE
Waterloo, Ontario - The Canadian Clay & Glass Gallery honours volunteers at a special Volunteer Appreciation reception Thursday October 1, 2009 from 4 - 6pm.
Of significant note will be the recognition of Mr. Wilhelm Nassau, who will be presented with the Ontario Association of Art Galleries “Volunteer of the Year of the Award”. This award was presented in Toronto Friday September 25, but Mr. Nassau was not able to attend. Gallery staff and co-volunteers now have an opportunity to celebrate this province wide recognition, in honour of Mr. Nassau who has so generously contributed to the Canadian Clay & Glass Gallery for 20+ years, even before the actual building was constructed.
His lifetime of dedication embodies the spirit volunteerism as a form of stewardship. He has been an active part of the transformation of the “idea” of this Gallery to it's “concrete” reality as an institution of National and International significance. A sample of Mr Nassau's work is showcased in the main exhibition gallery space, as they are greeted by a diorama telling the story of ceramics and glass creation from pre-history to our present. It is an important educational tool helping visitors place the art/craft of ceramics and glass within the scope of the development of human civilization.
Over the years Wilhelm, has assisted the Director, Curator, Educator, Marketing departments, and the Gift shop Manager, with his good advice, media support and knowledge of fine glass and ceramics. Mr. Nassau has photographed every piece of art in the permanent collection and has visually documented most of the events at the Gallery. This reception considers the important contribution of our volunteers in the operations of the Canadian Clay and Glass Gallery. As an institution receiving no municipal funding, the efforts of our volunteers truly help us to keep our doors open to the public. In return volunteers gain valuable experience they can bring with them into many contexts and environments long after their involvement here. This is an excellent opportunity for anyone interested in volunteering at the Canadian Clay & Glass Gallery to check us out and get a sense of the extraordinary opportunities available.
For Media inquiries contact Heather Majaury, Marketing Manager promotions@canadianclayandglass.ca 519.746.1882 ext 234
FOR IMMEDIATE RELEASE
WATERLOO, ON September 18, 2009:
British Columbia artist Jasna Sokolovic wins the 2009 Winifred Shantz Award for Ceramists.
Toronto artist Cali Balles wins the 2009 RBC Award for Glass.
At a gala, last night at the CANADIAN CLAY & GLASS GALLERY, JASNA SOKOLOVIC was awarded $10,000 for the Winifred Shantz Award for Ceramics. CALI BALLES was awarded $7,000.00 for the RBC Award for Glass.
Jasna Sokolovic, born in Sarajevo Yugoslavia, now lives on Granville Island, Vancouver, BC. She completed a Visual Arts Self-Directed Creative Residency, from the Banff Centre and was Artist in Residence at the International Ceramic Research Centre in Denmark this past year. She has exhibited in Canada, Korea, and the United States. She is highly influenced by Mexican traditional art in her choice of colours and imagery. It is her intention to use the award to travel to Mexico. The research trip starts with a residency at La Ceiba Graphica, to further her skill and knowledge of print making techniques. She will then arrange meeting local potters and artists in Xalapa and finally travel to villages in Oaxaca province, a region well known for ceramics as well as other traditional crafts.
Cali Balles, from Toronto, is a graduate of Sheridan College and the Ontario College of Art & Design. She has been a Visiting Artist at Ohio State University and a Resident Artist at Harbourfront, Toronto. Balles has exhibited in Korea, Canada and the United States. Her work graces collections at the Canadian Embassy in Panama, with the Royal Family of Japan as well as the private collection of former Prime Minister, Joe Clark. Cali Balles intends to conduct a six-month period of research where she will walk, hike and explore the hidden landscapes of Toronto. Curious about how the patterns of city structure have developed over time, she is intrigued by the buried neighbourhoods and hidden rivers of her home city. This research will culminate in a solo exhibition in 2010 at the Wall Space Gallery in Ottawa.
Each of these annual awards presents a monetary prize for innovative professional development to an emerging potter or clay sculptor and an emerging glass artist. These awards allow the recipients time for travel, to attend international residencies or to conduct research that will enrich experience and fortify individual career aspirations.
The Winifred Shantz Award for Ceramics has been made possible thanks to the generosity and commitment of Mrs. Shantz to recognize and contribute to the career of ceramic artists in this country. The partnership between the Canadian Clay & Glass Gallery and the RBC has provided the opportunity to recognize an exceptional artist working in glass. We thank Mrs. Shantz and the RBC for choosing to invest in the cultural capital of the Gallery that extends across Canada and through the award winners into the world beyond.
Now in the 16th year the Canadian Clay & Glass Gallery was conceived with the express purpose of bringing a national voice to ceramics and glass art in this country.
Media Contacts: Heather Majaury, Marketing Manager 1.519.746.1882 x234 promotions@canadianclayandglass.ca
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For Immediate Release: August 13, 2009
Artists Short Listed for Winifred Shantz Award for Ceramics and the RBC Award for Glass.
Waterloo, Ontario - August 13, 2009 - The Canadian Clay & Glass Gallery is pleased to announce this year's short list for the Winifred Shantz Award for Ceramics and the RBC Awards for Glass. The two candidates for the Winifred Shantz Award are Ian Johnston from Nelson, British Columbia and Jasna Sokolovic from Vancouver, British Columbia. The RBC Glass Award short list features Cali Balles and Catherine Vamvakas Lay. Both are from Toronto, Ontario.
The 9th Annual Winifred Shantz Award for Ceramics and the 2nd annual RBC Award for Glass mark significant milestones in a recipient's career. They recognize the remarkable practices that make up contemporary ceramic and glass art in Canada. These prestigious awards support recipients in their research and career aspirations. The Winifred Shantz Award provides $10,000 and the RBC Award provides $7,000 toward professional development. These awards recognize significant artistic achievements and are an investment in the future, designed to allow the recipient time away from the studio, to travel for career development, link with mentors, visit other studios, study museum collections, or liaise with industry, performing research that will further their studio production. It may also be used for international residencies or symposia. While recognizing that not all ceramists and glass artists arise from an academic background, this award is intended to assist at a post-graduate level of accomplishment.
Selected artists, curatorial and academic experts in the silica arts comprised the juries for these prestigious awards. The winners will be announced Sept 17, 2009.
About Winifred Shantz:
Winifred Shantz has been a driving force for the arts in the Waterloo Region for more than 40 years. A successful ceramist and entrepreneur, she knows the importance of learning the business side of being an artist.
Mrs. Shantz has made a significant impact in the local community through her involvement in the University of Waterloo's Chancellor's Circle, as a charter member of the Laurel Society and as a founding member of the highly successful Waterloo Potters Workshop. Mrs. Shantz has also been a vigorous supporter of the Canadian Clay & Glass Gallery for the past 15 years. In addition, as partner of the Harbinger Gallery in Waterloo, which exhibits and sells a variety of fine arts work in clay, glass, textile, wood, and metal ware from across Canada, she has helped both young and established artists gain a wider audience for their work. In 2001, she received the Kitchener-Waterloo Arts Lifetime Achievement Award.
About RBC Financial Group:
RBC believes it is important to give back to the community - and that a thriving, innovative art scene is key to the vibrancy and health of our society and culture. That's why RBC nurtures and invests in Canadian creative talent: a vital natural resource.
Royal Bank of Canada (TSX, NYSE: RY) uses the initials RBC as a prefix for its businesses and operating subsidiaries, which operate under the master brand name of RBC Financial Group. Royal Bank of Canada is Canada's largest financial institution as measured by market capitalization and assets, and is one of North America's leading diversified financial services company. It provides personal and commercial banking, wealth management services, insurance, corporate and investment banking, and transaction processing services on a global basis. The company employs approximately 70,000 full and part-time employees who serve more than 14 million personal, business and public sector clients through offices in North America and some 30 countries around the world. For more information, please visit www.rbc.com.
The Canadian Clay & Glass Gallery has reached a significant milestone as it celebrated its 15th Anniversary on June 19, 2008. Our award winning architecture, outstanding exhibitions and programs have placed CCGG at the forefront of contemporary art experience. To extend our celebration through the year we are offering new admission rates - June 2008 to June 2009.
ADMISSION: Adult $5, Student/Senior $3, Member Free, Tuesday to Friday 5-6pm Free and Sunday 1-5pm Free.
GALLERY HOURS: Tuesday to Saturday 11-6pm, Sunday 1-5pm, Monday closed.
The CCGG acknowledges the generous support provided by members, sponsors, donors, and volunteers, the City of Waterloo, the Ontario Arts Council and the Canada Council for the Arts.
Media Contact:
519.746.1882 ext. 231, promotions@canadianclayandglass.ca
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FOR IMMEDIATE RELEASE - June 1, 2009
Waterloo, Ontario -VIRGINIA EICHHORN has won the JEAN JOHNSON/MELANIE EGAN AWARD FOR CURATORIAL EXCELLENCE from the Ontario Crafts Council. This award honours curatorial excellence in crafts and acknowledges a curator who furthers the appreciation and understanding of craft in Ontario. This award was given for the exhibition ANNIE E. BROWN: IN MEMORY which originated at the Canadian Clay & Glass Gallery (Waterloo ON).
The exhibition was inspired by a “true” ghost story. Victorian mourning and bereavement artifacts were presented in combination with contemporary work created in response to those traditions by Laura Donefer, Karina Guevin, Paul Stankard, Tim Whiten and Catherine Vamvakas Lay. The exhibition will be traveling to the Agnes Jameson Gallery, the Art Gallery of Grimsby and the Musee des Maitres et Artisans du Quebec.
Eichhorn has worked within the field of visual arts for over twenty years. A graduate of the Queen's University Art History programme, she continued her studies at the University of Toronto in Art History and Museum Studies. As an independent curator, Ms Eichhorn has presented exhibitions at numerous prestigious venues including the XII Biennial of Art at Vila Nova de Cerveira in Portugal. She is currently curating the European/US survey exhibition of Judy Chicago's work titled Dauntless. Since August 2004 she has been employed as the Curator of the Canadian Clay & Glass Gallery in Waterloo, Ontario where she has presented exhibitions including "It's All Relative: Carl, Ann and Anong Migwans Beam", “Paul Stankard: Death, Sex and God”, “Tim Whiten: As It Is…” , “Christian Bernard Singer: Tessellated Anamnesis”, “Shary Boyle: Aspects and Excess”, “Chris Dorosz: The Painted Room” and “Judy Chicago: Chicago in Glass”.
Media Contact: 519.746.1882 ext. 233 promotions@canadianclayandglass.ca
Canadian Clay & Glass Gallery www.canadianclayandglass.ca
25 Caroline Street North, Waterloo, ON N2L 2Y5 Tel 519.746.1882 Fax 519.746.6396
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